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White Fence, 'Cyclops Reap'– Album Review

Last year was a banner year for Tim Presley, the man behind White Fence. Operating under that moniker, he joined the three-records-in-a-year club, releasing 'Hair,' a sub-30-minute bark of weirdo...

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Thee Oh Sees, 'Floating Coffin'– Album Review

John Dwyer and the merry troupe of bash-rock minstrels that make up the San Francisco garage psych outfit Thee Oh Sees have managed to put out an album every year for the past five years. Two in 2011....

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Colin Stetson, 'New History Warfare Vol. 3: To See More Light'– Album Review

You may have heard Colin Stetson before. The saxophone auteur is a touring member of the Arcade Fire and Bon Iver, and he’s recorded and performed with the likes of Tom Waits, Anthony Braxton, Fiest,...

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Savages, 'Silence Yourself'– Album Review

Savages make an immediate impression. That's true from their name to the glowering, haunted faces on the cover of their debut LP, ‘Silence Yourself,’ to their contortionist gothic post-punk sound to...

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Small Black, 'Limits of Desire'– Album Review

With their tightly woven 2009 self-titled EP, Brooklyn’s Small Black rode in with a wave of hazy synth nostalgia-ists like Washed Out, Neon Indian and Memory Tapes. They followed it up a year later...

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Pure X, 'Crawling Up the Stairs'– Album Review

The most prominent emotion on 'Crawling Up the Stairs' is frustration. On the record’s second track, 'Someone Else,' vocalist Nate Grace growls out the line “You know I earned it / So, c’mon, and give...

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Jenny Hval, 'Innocence Is Kinky'– Album Review

The first words on 'Innocence Is Kinky' are “That night / I watched people f---ing on my computer / Nobody can see me looking anyway.” The Norwegian singer-songwriter Jenny Hval’s second full-length...

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Dirty Beaches, 'Drifters/Love Is The Devil'– Album Review

On 2011’s 'Badlands,' Dirty Beaches frontman Alex Zhang Huntai was playing a character. He was acting the part of prototypical greaser on a dirt bike, spinning lone-wolf yarns over gritty...

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Various Artists, 'After Dark 2′– Album Review

Whew. It’s hard not to feel like the last 18 months of activity related to the Italians Do It Better label has all been leading to this moment. So let’s recap. In late December of 2011, a two-hour,...

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Baths, 'Obsidian'– Album Review

Baths’ 2010 debut, ‘Cerulean’ was a sparkling gem of post-’Los Angeles,’ stumble-hop beat wizardry, combining liquid, ornate production with a kind of aching emotional sensitivity. Will Wiesenfield’s...

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Mount Kimbie, 'Cold Spring Fault Less Youth'– Album Review

Mount Kimbie arrived with the post-dubstep (a short-lived descriptor) class of 2010, along with the likes of Parish and James Blake. Their full-length debut for Scuba’s Hotflush imprint, 'Crooks &...

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Camera Obscura, 'Desire Lines'– Album Review

Scotland’s Camera Obscura write songs about love, and they do it well. Their newest full-length, ‘Desire Lines,’ is their fifth album overall and first since 2009’s excellent ‘My Maudlin Career.’ On...

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Boards of Canada, 'Tomorrow's Harvest'– Album Review

It’s been long enough since U.K. electronic music pioneers Boards of Canada’s last album, 2005’s 'The Campfire Headphase,' that the duo has achieved classic status. BoC haven't been part of the...

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Gold Panda, 'Half Of Where You Live'– Album Review

For better or worse, Gold Panda has always been defined by his predecessors. His 2010 Ghostly debut, 'Lucky Shiner,' was an excursion in basement, patchwork house music, techno and downtempo, drawing...

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Austra, 'Olympia'– Album Review

Toronto has proven a reliable source of goth-tinged electronic exports in recent years. The electro-punk-turned-dance-pop duo Crystal Castles is the most shining example. Last year’s 'Trust'...

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Zomby, 'With Love'– Album Review

Zomby’s fourth full-length, 'With Love,' is a monolithic, daunting and unwieldy hour and a half of music. It’s one of the more ambitious projects to emerge from the vibrant, ever-changing landscape of...

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Overlooked Albums of 2013

It’s an unavoidable byproduct of today's hyperactive music coverage and the album release cycle: For listeners passionate about music -- especially the type of indie rock that floats under the...

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Airhead, 'For Years'– Album Review

Airhead’s debut full-length for R&S opens with ‘Wait.’ The track first appeared in 2012 on a 7-inch for R&S and helped catapult U.K. producer Rob McAndrews to the label's A-team. ‘Wait’...

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10 Best Post-Rock Albums

Post-rock is an unwieldy genre. The descriptor covers a broad swath of nearly 25 years of music that's manifested itself into skewed visions of jazz fusion, classical and even dance music. The things...

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Maya Jane Coles, 'Comfort'– Album Review

It’s honestly a surprise Maya Jane Coles still isn’t a household name. For the past couple years, the young Englishwoman has made a habit of stamping her name on every club bill, every festival roster...

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